Finished reading Elizabeth Gaskell's "North and South" and W. Somerset Maugham's "The Painted Veil". Promptly followed that up by viewing the 2004 BBC mini-series of "North and South", which Netflix tagged as "dark and romantic". Indeed it is, what with Richard Armitage casting dark, smoldering looks at Daniela Denby-Ashe, who at first responds by acting snippy and offended, letting her prejudiced attitudes toward brash Northerners and men of trade overtake her well-bred British manners. The early sparks between them lead to mutual misunderstandings and later, to longing and unrequited passions. I make it sound drippier than it is; actually, I think, the developing romance between them is actually handled quite nicely, with both of them moving gradually and subtly from their initially disastrous first impressions to a deeper understanding and appreciation for one another. I loved the way the older generation is portrayed in this series, which is due to sensitive directing and great acting. Tim Pigott-Smith and Lesley Manville as Margaret's parents are lovely and warm-hearted, and not the rigid and limited characters of the novel. Sinead Cusack as Mrs. Thornton adds tremendous layers of depth to her character, making her much more complex and appealing than she comes across in Gaskell's book. Overall, a good example of how the filmed version can sometimes be an improvement on the original source material.
I'm waiting for my DVD of "The Painted Veil" (2006, with Naomi Watts and Edward Norton) to arrive in the mail. If nothing else, it should be a feast for the eyes in its depiction of 1920's colonial China.
In the meantime I am in the middle of "The Time Traveler's Wife" by Audrey Niffenegger, a best-seller, apparently, although I don't quite get why. It starts out with a science fiction premise which is promising...Henry, the main character has a "chrono-displacement disorder" that causes him to time travel unexpectedly and without warning. Despite this malady he falls in love with and eventually marries Clare, who he first meets when they are both in their 20's. She is able to stick with him and to accept the fact that he's liable to drop out of her life at any given moment and vanish into another time and place, because she remembers meeting him at various stages of her childhood & adolescence, when he time-traveled back to her past. Never mind-- it isn't supposed to make sense. It's a good premise that it entirely wasted in my opinion. The love story just isn't that interesting, and neither are Clare and Henry. Much is made of her long, red hair, and his interest in punk rock bands of the 70's. They have a lot of sex, to indicate how strong their bond is. They have trouble making their relationship work because of Henry's tendency to disappear at critical moments, but you're meant to believe that their love is strong enough to withstand the stress. Please. This was also made into a movie version in 2009 but I don't think I can bear to watch it. The reviews were uniformly devastating. On to better material, hopefully.